Closed-door cinema

Closed-door cinema

Of course, there are many cinema figures, each with their own characteristics and their importance in giving atmosphere to a film. This is particularly the case for the closed-door. As Marc Dingreville, a fervent cinema-lover and director of the Domont cinema, explains to us, the huis clos draws its principles from the theatre, which is conducive to the exercise of style due to its configuration. Let’s take a look back at films that have become cult films, in particular thanks to the use of closed doors. A little reminder of…

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After two years of closure, Studio 207 reopens its doors

After two years of closure, Studio 207 reopens its doors

Built in 1965, Studio 207, a neighbourhood cinema in the town of Taverny, in the Val-D’oise, reopened its doors thanks to political action and a buyer: Marc Dingreville. The establishment has been open since June 26, 2019 and an expansion project is planned. A historic site Created in the 1960s by Jacqueline Paccioni and her husband, at a time when cinema was becoming a leisure activity accessible to all, Studio 207 has seen many people pass through its two rooms. Some have even become fans of this small neighbourhood cinema,…

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The Taverny cinema will open its doors again in June.

The Taverny cinema will open its doors again in June.

The small cinema in the town of Taverny, closed its doors in 2017. A hard blow for the inhabitants and Florence Portelly, mayor of the town. Studio 207 was indeed still one of those rare city centre cinemas, independent (and not subsidized), which was the pride of these families and other cinema lovers of the rue de Paris. After two years of closure, it’s official: the reopening is announced before the summer. Marc Dingreville looks back on this beautiful collective project. “(…) An integral part of the historical identity of…

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What are the different values of shots in cinema? by Marc Dingreville

What are the different values of shots in cinema? by Marc Dingreville

The values of the shot in the cinema are what form the basis of the framing. When filmmakers get down to the task of creating a film, there is a choice of shot values and it is important to know them, at least by name, in order to be able to decipher a scene or a character’s emotions. Marc Dingreville, director of the CinĂ©ma de Domont, shows us the different shots. Conveying information thanks to the cinematic plan A cinema shot is the shot taken between turning the camera on…

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